University of Technology Sydney

50818 Podcasting

Warning: The information on this page is indicative. The subject outline for a particular session, location and mode of offering is the authoritative source of all information about the subject for that offering. Required texts, recommended texts and references in particular are likely to change. Students will be provided with a subject outline once they enrol in the subject.

Subject handbook information prior to 2025 is available in the Archives.

UTS: Communication: MAP and Sound and Music Design
Credit points: 8 cp
Result type: Grade and marks

Requisite(s): 24 credit points of completed study in 24.0000000000 Credit Points spk(s): MAJ10062 80cp Music and Sound Design Major OR 24 credit points of completed study in 24.0000000000 Credit Points spk(s): MAJ10063 80cp Music and Sound Design Major OR 16 credit points of completed study in spk(s): CBK92349 24cp Creative Arts Primary Specialisation Electives
Anti-requisite(s): 50833 Speech, Music, Sound AND 50859 Speech, Music, Sound AND 52643 Sound Journalism

Description

This subject explores podcasting as a vibrant avenue for creative expression and industrial exploration. Combining theory and practice, the subject includes analysis of world-leading podcasting practice using foundational works from broadcasting, post-broadcast and popular music scholarship, while exploring examples and original content from contemporary Australian industry artists and producers. Students can expect to learn about the distinctiveness and diversity of podcasting from a variety of genre perspectives, and work towards their interests and strengths as podcasting producers and editors.

Subject learning objectives (SLOs)

a. Analyse the role of the voice the specific contexts of podcast production and reception
b. Identify key ways the voice creates affect using relevant theoretical frameworks
c. Employ podcasting techniques, informed by relevant theory and industry best practice
d. Develop methods for communicating an assessment of podcasting’s utility
e. Create responses to existing sound works in written or other formats

Course intended learning outcomes (CILOs)

This subject engages with the following Course Intended Learning Outcomes (CILOs), which are tailored to the Graduate Attributes set for all graduates of the Faculty of Arts and Social Sciences:

  • Graduates possess a well-developed awareness of culture and professional practice of music and sound in the context of the technological and creative industries (1.1)
  • Graduates are able to present, explain and evaluate their own and others' work in independent and collaborative contexts (1.2)
  • Graduates are reflexive critical thinkers and creative practitioners who are intellectually curious, imaginative and innovative (2.1)
  • Graduates are innovative agents for change in the creative industries of their local and wider communities (5.2)
  • Graduates possess reflective and analytical skills enabling them to synthesise ideas from a diverse range of sources and communicate effectively to different audiences using appropriate media and modes (6.1)

Teaching and learning strategies

The teaching and learning strategies in this course rely on a shared commitment by students and teaching staff. Delivery includes a variety of online activities, with the effectiveness of these determined by each student’s regular participation. The subject includes a mixture of collaborative exercises and interactive educational resources, while also providing institutional support and guidance. Students are required to engage regularly, with the best experiences gained when all come prepared and engaged.


Content (topics)

The content in this subject will consider Podcasting from a variety of different theoretical and practical perspectives. As is consistent with UTS Learning.Futures pedagogy, there is an emphasis on new industrial and digital models, captured in this course by the emphasis on new audio industries in the podcasting and post-broadcast industries. Themes covered will include historical perspectives on audio-only media and its production and reception, as well as contemporary examples and perspectives relating to the evolving Australian market as it provides for local and international audiences. Students will gain practical and contemporary experience as well as strong industry-based insight into the continually evolving industry, with opportunities to make work as part of this course that will then be considered for further podcast and broadcast via media partners.

Assessment

Assessment task 1: Podcast analysis and production script

Objective(s):

a, b, c and e

Weight: 50%
Length:

2000 words (plus references and any appropriate appendix material)

Criteria linkages:
Criteria Weight (%) SLOs CILOs
Clarity of consideration of the role of each voice, including content and technical analysis 30 a 6.1
Suitable level of engagement with subject readings 30 b 2.1
Ability to construct a clear written argument using appropriate evidence to support 30 c 2.1
Adherence to task instructions 10 e 1.1
SLOs: subject learning objectives
CILOs: course intended learning outcomes

Assessment task 2: Podcast production

Objective(s):

a, b, d and e

Weight: 50%
Length:

3 minutes of produced audio (either original or edited, as appropriate), plus 1000 word written support document.

Criteria linkages:
Criteria Weight (%) SLOs CILOs
Depth of engagement with appropriate production research and demonstrated application of best practice standards 30 e 1.1
Clarity of consideration of the role of each voice in the pitch, as displayed audio and written work 40 a 6.1
Demonstrated attention to detail in both technical and editorial choices made 20 d 1.2
Adherence to task instructions and demonstrated consideration of ethics implications in audio and content manipulation 10 b 5.2
SLOs: subject learning objectives
CILOs: course intended learning outcomes

Minimum requirements

Classes are based on a collaborative approach that involves essential work-shopping and interchange of ideas with other students and the tutor.

In this subject assessment tasks are cumulative so that each task builds understanding and/or skills, informed by formative feedback. Consequently, all assessments must be submitted in order for you to receive feedback. Students who do not submit all assessments will not pass the subject.

References

All required references and required listening will be accessible via the UTS library and links to external sites on UTS online.

Other resources

Over the sesson we'll be listening to, recommending and sharing as many podcasts and individual examples of podcasting at its best as we can. In an effort to keep this as current as possible, please keep your eye on the weekly updates to UTS online for these. Also, if you have heard anything that you'd really love to share or think we'd all love, please let Liz know (liz.giuffre@uts.edu.au)