86150 The Interior In Film
6cp; 3hpw - on campus, (AUT 2023 session)Requisite(s): 48 credit points of completed study in 48.0000000000 Credit Points spk(s): C10271 Bachelor of Design Interior Architecture OR 48 credit points of completed study in 48.0000000000 Credit Points spk(s): C10272 Bachelor of Design Interior Architecture Bachelor of International Studies OR 48 credit points of completed study in 48.0000000000 Credit Points spk(s): C10322 Bachelor of Design Interior Architecture Bachelor of Creative Intelligence and Innovation OR 48 credit points of completed study in 48.0000000000 Credit Points spk(s): C10423 Bachelor of Design Interior Architecture Bachelor of Languages and Cultures OR 48 credit points of completed study in 48.0000000000 Credit Points spk(s): C10004 Bachelor of Design Architecture OR 48 credit points of completed study in 48.0000000000 Credit Points spk(s): C10413 Bachelor of Design Architecture Master of Architecture OR 48 credit points of completed study in 48.0000000000 Credit Points spk(s): C10325 Bachelor of Design Architecture Bachelor of Creative Intelligence and Innovation OR 48 credit points of completed study in 48.0000000000 Credit Points spk(s): C09079 Bachelor of Landscape Architecture (Honours)
These requisites may not apply to students in certain courses. See access conditions.
Elective
Undergraduate
Notes
Open for self-enrolment, maximum student capacity 24.
Description
‘I am the cinema-eye. I am an architect’, wrote Soviet film director Dziga Vertof in the 1920s, describing potently how film not only mirrors existing spaces but rather, with its unique capacity to frame, collage and montage is able to organize and even create spaces. In a most general understanding, the interior in film comprises the space of interaction, negotiation, drama, conflict, and resolution. In the interior, architectural spaces are lived in and reflect style, class, programme, time, behaviour. Filmed interiors become coded compositional elements through their deliberate detail (scale, materiality, colour, light and texture) as designed by the film architect, filmed by the cinematographer, and edited in postproduction. The focus of this elective is on the production design of wicked houses, absurdist rooms, industrial interiors, archeological and underground interiors, and many more. Students analyse given interiors (whole films and/or extracts/scenes) and present their findings in terms of:
Light/Technology/Dramaturgy/Time/Frame/Composition/Colour/Materiality/Props/ Period/Atmosphere/Furniture/Costume
Typical availability
Autumn session, City campus
Spring session, City campus
Detailed subject description.